Last month after I finished organizing Inside a Writer’s Head, I shared what I learned from the experience. Before you pick an organization style, you should check that out. It has four things you should know about the overall process.
This post discusses some different styles or types or organization you could choose when creating your poetry collection.
One thing you should already know if you’re making a collection: The first and last poems, especially, need to be strong.
If your collection contains poems of a variety of topics, it could be useful, beneficial, or aesthetic to group them based on topic. You can then create defined or undefined sections in the collection as well.
A defined section would have a title, and an undefined section would not. Either way, you’ll want to open and close the section with a strong poem, just like opening and closing the collection.
In the case of Inside a Writer’s Head, I initally tried to have a topical organization based on the subcategories of themes. This didn’t work, in part because it’s a topical collection. This style works better with more than one topic.
You can also organize the collection based on the emotion a poem creates in the reader. In the same way a novel shifts in emotions as it progresses and has ups and downs, you can an emotional “plot” with your poetry collection. To do this, first group your poems based on the emotions they evoke.
You can then weave the poems together based on similar lines, topics, etc. throughout the collection, keeping in mind the emotional journey you intend to take readers on. Plan the ups and downs and pick the poems that feel right in each place.
For Inside a Writer’s Head, I incorporated some of this. I placed some poems together to amplify humor, or emphasize certain feelings or reactions to the poems around it.
A possible organization, especially for a collection with a variety of topics, orders the poems so each poem repeats a theme, subject, word, or image from its predecessor. This could create a plot, or add to the emotional effect of the poems. By connecting them in this manner, you allow the poems to speak to each other, as it were, adding more insight or a divergent perspective on the ideas.
This can be an organization style on it’s own or be paired with a topical or emotional style.
Inside a Writer’s Head is largely lyrically organized, blended with some emotional influence, as I mentioned. That isn’t all I employed though. Which brings me to the next style.
A collage is a smattering of thoughts and images paired together in one place, seemingly or actually at random. They may or may not go together, but they create an effect based on how they are placed.
If you have a topical collection or a large disparity in the number of poems in different topical categories, a collage organization might work well. You can create a mix of the topics, not following a specific rotation of topics, but moving similar topics away from each other.
This is another thing I did for Inside a Writer’s Head. I had a lot of poems about not having inspiration or dealing with writer’s block. Far more than the number of those in the other subcategories I had created. In order to create more balance, I spread out those poems among the other poems. A couple of them are paired together, but they are a bit of a unifying theme in a collage.
These are four possible organization styles used in poetry manuscripts.
If you have any questions about these styles, Inside a Writer’s Head, or your poetry collection, leave them in the comments below! I’d love to talk to you about that.